Jeffery Saddoris - Art & Design Blog
Quick & Dirty Eyes
Make those eyes pop in just a few steps.
A Little To The Left
Create a tilt-shift effect in Photoshop.
It's Just Out Of Bounds
Create your own "out of bounds" composite in Photoshop.
Send In The Clouds - I
Use channels to create a complex mask.
Send In The Clouds - II
More with masks and ways to get around the quirks in the Patch tool.
Let There Be Lightning
Create a cool lightning effect in Photoshop
The Eyes Have It
Make eyes really pop in Photoshop
Presets in Lightroom 2
Create a default develop preset in Lightroom 2

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It’s Just Out Of Bounds

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I’ve just upped a new Photoshop video tutorial. This time, we’re creating an “out of bounds” style photo composite. For those unfamiliar with these types of composites, basically they involve masking a main subject element of a photo and creating a new perspective or picture plane, giving the illusion that the subject is coming out of the photo. It’s sort of a faux 3D type of effect that you can apply to a variety of different source images. The tutorial runs about 19 minutes and is available now on my blip.tv channel.

Image used in the tutorial can be grabbed HERE

A very nice set of cloud brushes for Photoshop can be found HERE

Have an idea for a video tutorial that you’d like to see?  If so, shoot me an email or leave a comment. You never know, it could end up here!

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Class Wrap Up – Week 9

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Week 9’s theme in Photoshop – The Art of Compositing was “nothing is out of bounds”. We discussed some of the things we can do as artists and photographers to not only keep our skills fresh, but also how we can challenge ourselves to think outside of our normal sphere and really stretch creatively. As a sort of case study, we took a look at celebrity photographer Michael Grecco. Michael took a dramatic left turn from his normal life of shooting clients like Steven Speilberg, Martin Scorcese and Kanye West and decided to produce a coffee table book about the porn industry called “Naked Ambition“. His creative challenge, as he put it was “how to shoot a book about porn, without shooting porn”. He wanted to humanize the myth and portray the culture surrounding the taboo. He shot the entire book in 3 days. Over 13,000 photographs. The book was a huge success. The book was so successful, in fact, that it spawned a documentary film which has been very well reviewed by the Los Angeles Times, the Hollywood Reporter, the San Francisco Chronicle and a host of others.  As a result of thinking “outside the box”, a whole new chapter has opened up in Michael Grecco’s career. He gave himself a creative challenge to solve that could have just as easily backfired and ruined his career…but he had to do it. He had to mix it up a little to continue to grow.
One of my favorite artists, Robert Rauschenberg, would regularly change his entire creative process when what he was currently doing became either easy or routine. He spent his entire career trying to come up with new projects to challenge his own creative vision and develop new techniques to communicate through his art. As a result, he has an incredibly rich and diverse body of work. Isn’t that the attitude that we all should aspire to? I try to approach my art, my job, my class, virtually every area of my life as if there will always be something more to learn. In my creative life, I know I’ll never take a perfect photo, or paint a perfect canvas. But I’ll keep chasing it and trying to capture it for as long as I’m able to hold a camera or a brush. That’s what it’s all about, gang…the journey and what you learn along the way. Okay, enough of me waxing poetic over my love of the creative process. Back to the wrap up!
I gave a little sneak peek at my next class, Photoshop for Photographers, which will be Wednesday evenings starting June 24th. I demoed a technique for selectively removing color cast from your photos using Adjustment Layers, Layer Masks and the Fade Brush Tool. Very cool stuff with a high degree of control and flexibility.
The second half of class, we began creating our own “out of bounds” composites. We had to move through it a bit more quickly than I would have liked, so I’ll be doing a video tutorial of the process either tonight or tomorrow.

Next week will be a recap of everything so far and a couple new additions to your toolbox.  We will also be starting work on our final composites so…DON’T FORGET TO BRING PHOTOS FOR THE FINAL COMPOSITE PROJECT. If you are unsure as to what to do for the final project, take a look at the PDF’s from the class sessions. Each week, the initial slides in the presentation are for you. They are to inspire you and get you thinking about what’s possible with Photoshop. We’ve learned many of the building blocks over the last nine weeks, and now it’s time to unleash your own imaginations and create something fantastic!

Links:
Micheal Grecco
This Year’s Girl
Out Of Bounds Composites

Don’t forget Photoshop World in Vegas, October 1-3 at Mandalay Bay

Thank you for continuing to attend…Now just do the work!

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New Curt Smith Pics

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Curt Smith @ McCabes

New pics of Curt Smith shot by Nicole Rae (with a little post processing done by me) have been posted to Curt’s official site. Direct link to the pics HERE

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Class Wrap Up – Week 8

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This week in Photoshop – The Art of Compositing, we went beyond photographs and talked about art. What is art? When does something become art? Is art objective or subjective? Some interesting answers amongst the class. I offered a quote by Tolstoy that gets very close to the heart of art for me.

“In order correctly to define art, it is necessary, first of all, to cease to consider it as a means to pleasure and to consider it as one of the conditions of human life. Viewing it in this way we cannot fail to observe that art is one of the means of intercourse between [people].
Every work of art causes the receiver to enter into a certain kind of relationship both with him who produced, or is producing, the art, and with all those who, simultaneously, previously, or subsequently, receive the same artistic impression.”

Other discussion topics included art and social change, street art and fair use of photographs in derivative works. In a recent blog post by photographer Ed Nachtrieb, Shepard Fairey is criticized for using one of Nachtrieb’s images without credit or permission, and for creating a derivative work without any relevant context as to where it came from. I posed the question to the class: “Is it okay for an artist to use one of your images as the basis for a derivative work?” The majority of the class seemed to feel that there is no black and white answer to it and it depends on two things. Number one: the relevant emotional attachment the photographer has to the image being used. Number two: the quality or context of the end product created by the artist.
The second half of the class I talked a bit about my own evolving process fusing analog and digital images to create my art. We then explored creating and applying textures to photographs in order to enhance mood and visual interest, and using custom brushes to create unique textures.
I think it was one of the best classes so far…but what do you think?

Links:
Vincent Versace on Scott Kelby’s blog
Last Day Dream
Dorothy Simpson Krause
Mary Taylor
Rolfe Horn
Steen Doessing
Michelle Caplan
Robert Mars
Wooster Collective
Web Urbanist

Textures:
Deviant Art
Flickr
Jesh de Rox Textures

Brushes:
Brusheezy
Deviant Art
GetBrushes

Don’t forget Photoshop World in Vegas, October 1-3 at Mandalay Bay

Thank you for continuing to attend…Now just do the work!

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